Art Gallery

Theo (Faye) Nangala Hudson - Warlukurlangu Jukurrpa (Fire country Dreaming)

$155.00

• Details
• Artwork

• Artist: Theo (Faye) Nangala Hudson
  Artwork: Warlukurlangu Jukurrpa (Fire country Dreaming)
  Catalogue Number: 2174/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Warlukurlangu Jukurrpa (Fire country Dreaming)
  This Dreaming belongs to Warlukurlangu country to the south-west of Yuendumu, for which Jampijinpa/Jangala men and Nampijinpa/Nangala women have custodial responsibility. An old man ‘lungkarda’ (centralian blue-tongued lizard [Tiliqua multifasciata]), of the Jampijinpa skin group, lived on a hill with his two Jangala sons. The old man would feign blindness and send the two boys hunting in search of meat. While they were gone he would hunt and eat anything that he caught before they returned. One day the sons returned with a kangaroo that they had caught after much tracking. Unfortunately the kangaroo was sacred to the ‘lungkarda’, unbeknown to the boys. In his anger the old man decided to punish his sons and the next time they went out, he put his fire stick to the ground and sent a huge bush fire after them which chased them for many miles, at times propelling them through the air. Although the boys beat out the flames, ‘lungkarda's’ special magic kept the fire alive and it re-appeared out of his blue-tongued lizard hole. Exhausted the boys were finally overcome by the flames.
  
  In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Usually sites that are depicted in paintings of this Jukurrpa include Warlukurlangu (a men's cave), Kirrkirrmanu (where the sacred kangaroo was killed), Wayililinypa (where the fire killed the two Jangala sons) and Marnimarnu (a water soakage) where the two Jangalas camped.
  

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Lynette Nangala Singleton - Ngapa Jukurrpa (Water Dreaming) - Puyurru

• Details
• Artwork

• Artist: Lynette Nangala Singleton
  Artwork:  Ngapa Jukurrpa (Water Dreaming) - Puyurru
  Catalogue Number: 2568/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Ngapa Jukurrpa (Water Dreaming) - Puyurru
  The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The 'kirda' (owners) for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled across the country from the east to the west, initially travelling with a ‘pamapardu Jukurrpa’ (termite Dreaming) from Warntungurru to Warlura, a waterhole 8 miles east of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji. At this point the Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and also stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.
  
  The termite Dreaming eventually continued west to Nyirripi, a community approximately 160 km west of Yuendumu. The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a ‘kirrkarlanji’ (brown falcon [Falco berigora]) and taken farther north. At Puyurru, the falcon dug up a giant ‘warnayarra’ (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The ‘kirda’ (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
  
  In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming). Short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river bed.
  

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Glenda Napaljarri Wayne - Pamapardu Jukurrpa (Flying Ant Dreaming) - Warntungurru

$155.00

• Details
• Artwork

• Artist: Glenda Napaljarri Wayne
  Artwork: Pamapardu Jukurrpa (Flying Ant Dreaming) - Warntungurru
  Catalogue Number: 2886/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Pamapardu Jukurrpa (Flying Ant Dreaming) - Warntungurru
  This painting depicts the Pamapardu Jukurrpa (Flying Ant Dreaming) from Warntungurru, west of Yuendumu. 'Pamapardu' is the Warlpiri name for the flying ants or termites that build the large anthills found throughout Warlpiri country. This country belongs to Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. 'Pamapardu' are flying ants. They build earth mounds (‘mingkirri’) that are common in the Tanami area. When heavy rains come in summer the ‘mingkirri’ get flooded out, so the ‘pamapardu’ grow wings and fly off to make new homes, following their queens to dry mounds or to build a new. When they have found their new home they drop their wings. In this stage they can be collected, lightly cooked in coals and eaten. As they fall to the ground women collect them to eat because they are nice and sweet. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. When this Jukurrpa story is painted concentric circles are used to represent the ‘mingkirri’ and the rockholes involved in the story, including the central one at Wapurtali (Mt Singleton). Dashes are often depicted around the circles to represent the ‘pamapardu’.
  

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Wendy Nungarrayi Brown - Yanjirlpirri or Napaljarri-Warnu Jukurrpa (Star or Seven Sisters Dreaming)

$155.00

• Details
• Artwork

• Artist: Wendy Nungarrayi Brown
  Artwork: Yanjirlpirri or Napaljarri-Warnu Jukurrpa (Star or Seven Sisters Dreaming)
  Catalogue Number: 2949/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Yanjirlpirri or Napaljarri-Warnu Jukurrpa (Star or Seven Sisters Dreaming)
  The Napaljarri-Warnu Jukurrpa (Seven Sisters Dreaming) depicts the story of the seven ancestral Napaljarri sisters who are found in the night sky today in the cluster of seven stars in the constellation Taurus, more commonly known as the Pleiades. The Pleiades are seven women of the Napaljarri skin group and are often depicted in paintings of this Jukurrpa carrying the Jampijinpa man ‘wardilyka’ (the bush turkey [Ardeotis australias]) who is in love with the Napaljarri-warnu and who represents the Orion's Belt cluster of stars. Jukurra-jukurra, the morning star, is a Jakamarra man who is also in love with the seven Napaljarri sisters and is often shown chasing them across the night sky. In a final attempt to escape from the Jakamarra the Napaljarri-warnu turned themselves into fire and ascended to the heavens to become stars. The custodians of the Napaljarri-warnu Jukurrpa are Japaljarri/Jungarrayi men and Napaljarri/Nungarrayi women. Some parts of the Napaljarri-warnu Jukurrpa are closely associated with men’s sacred ceremonies of a very secretive nature.
  
  Yanjirlpirri Jukurrpa (Star Dreaming) tells of the journey of Japaljarri and Jungarrayi men who travelled from Kurlurngalinypa (near Lajamanu) to Yanjirlypirri (west of Yuendumu) and then on to Lake Mackay on the West Australian border. Along the way they performed ‘kurdiji’ (initiation ceremonies) for young men. Women also danced for the ‘kurdiji’. The site depicted in this canvas is Yanjirlypiri (star) where there is a low hill and a water soakage. The importance of this place cannot be overemphasized as young boys are brought here to be initiated from as far as Pitjanjatjara country to the south and Lajamanu to the north.
  
  In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. Often depicted in paintings for this Jukurrpa is the female star Yantarlarangi (Venus - the Evening Star) who chases the seven Napaljarri sisters for having stolen the night from her.
  

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Andrea Napanangka Tasman - Ngapa Jukurrpa (Water Dreaming) - Mikanji

$155.00

• Details
• Artwork

• Artist: Andrea Napanangka Tasman
  Artwork: Ngapa Jukurrpa (Water Dreaming) - Mikanji
  Catalogue Number: 3004/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Ngapa Jukurrpa (Water Dreaming) - Mikanji
  The country associated with this 'ngapa Jukurrpa' (water Dreaming) is Mikanji, a watercourse west of Yuendumu that is usually dry. There are ‘mulju’ (soakages) in this creek bed. The 'kirda' (owners) of this Dreaming site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Mikanji is an important water Dreaming site, and features in at least three different water Dreaming tracks.
  
  In one story, the water Dreaming travelled from Puyurru, northwest of Yuendumu, to a ‘mulju’ (soakage) in the Mikanji creek. It unleashed a huge storm there. Two old blind women of the Nampijinpa skin group were sitting by the side of the soakages. As the two women strained their eyes to see the sky, tears formed in their eyes, creating the rain. Their spirits can still be seen at Mikanji in the form of two ‘ngapiri’ (river red gums) growing near the soakage.
  
  A second water Dreaming track that passes through Mikanji is also owned by the Nangala/Jangala and Nampijinpa/Jampijinpa subsections, and travels further west. At Mikanji, the storm rained so hard it created a hole in the ground which became a soakage. At Mirawarri a ‘kirrkarlanji’ (brown falcon [Falco berigora]) picked up the storm and carried it on its wings to the west until it became too heavy for it. The falcon eventually dropped the storm at Pirlinyarnu (Mt. Farewell) about 165 km west of Yuendumu, where it formed an enormous ‘maluri’ (claypan). A ‘mulju’ (soakage) exists in this place today.
  
  A third Dreaming track that passes through Mikanji is the story of the water Dreaming and ‘pamapardu Jukurrpa’ (termite Dreaming). This Dreaming travels further north. This water Dreaming is owned by Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. The termite and water Dreamings travelled together from Warntungurru in the east past Warlura (a waterhole 8 miles east of Yuendumu), Wirnpa, Kanaralji, Ngamangama, and Jukajuka. A portion of this Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The termite Dreaming moved on to the west to Nyirrpi, a community approximately 160 km west of Yuendumu, whereas the water Dreaming travelled on to Mikanji. A ‘kirrkarlanji’ (brown falcon) eventually picked up the water and tied it to its head using hairstring. The falcon travelled north with the water Dreaming; at Puyurru, it flew under a tree and the water fell off of its head, forming a soakage there. The Dreaming then travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
  
  In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river beds.
  

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Christine Napanangka Michaels - Lappi Lappi Jukurrpa (Lappi Lappi Dreaming)

$210.00

• Details
• Artwork

• Artist: Christine Napanangka Michaels
  Artwork: Lappi Lappi Jukurrpa (Lappi Lappi Dreaming)
  Catalogue Number: 1749/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Lappi Lappi Jukurrpa (Lappi Lappi Dreaming)
  The subject of this work is Lappi Lappi, a rock hole near Lake Hazlett, about 90 km northwest of Lake Mackay in Western Australia. The country belongs to Nampijinpa/Jampijinpa and Nangala/Jangala skin groups. Located in a sheltered basin, the rock hole at Lappi Lappi is a permanent source of water, and is surrounded by country rich in bush tucker. In the time of the Jukurrpa (Dreamtime) many mothers with young children would gather there because it was a safe place to stay. The rock hole at Lappi Lappi is home to a ‘warnayarra’, a rainbow serpent that travels underground between various rock holes. One day, women were gathered at the rock hole with their children, singing and dancing. When the ‘warnayarra’ heard the sound of voices, it travelled silently towards them, under the water. When it reached the edge of the rock hole, it rose out of the water and ate them all.
  

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Veronica Napangardi Williams - Ngapa Jukurrpa (Water Dreaming) - Pirlinyarnu

$155.00

• Details
• Artwork

• Artist: Veronica Napangardi Williams
  Artwork: Ngapa Jukurrpa (Water Dreaming) - Pirlinyarnu
  Catalogue Number: 3023/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Ngapa Jukurrpa (Water Dreaming) - Pirlinyarnu
  The site depicted in this painting is Pirlinyarnu (Mt. Farewell), about 165 km west of Yuendumu in the Northern Territory. The ‘kirda’ (owners) for the water Dreaming site at Pirlinyarnu are Nangala/Nampijinpa women and Jangala/Jampijinpa men.
  
  Two Jangala men, rainmakers, sang the rain, unleashing a giant storm that collided with another storm from Wapurtali at Mirawarri. A ‘kirrkarlanji’ (brown falcon [Falco berigora]) carried the storm further west from Mirawarri. The two storms travelled across the country from Karlipirnpa, a ceremonial site for the water Dreaming near Kintore that is owned by members of the Napaljarri/Japaljarri and Napanangka/Japanangka subsections. Along the way the storms passed through Juntiparnta, a site that is owned by Jampijinpa men. The storm eventually became too heavy for the falcon. It dropped the water at Pirlinyarnu, where it formed an enormous ‘maluri’ (claypan). A ‘mulju’ (soakage) exists in this place today. Whenever it rains today, hundreds of ‘ngapangarlpa’ (bush ducks) still flock to Pirlinyarnu.
  
  In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river beds.
  

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Athena Nangala Granites - Napaljarri-warnu Jukurrpa (Seven Sisters Dreaming)

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• Artwork

• Artist: Athena Nangala Granites
  Artwork: Napaljarri-warnu Jukurrpa (Seven Sisters Dreaming)
  Catalogue Number: 3066/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Napaljarri-warnu Jukurrpa (Seven Sisters Dreaming)
  The Napaljarri-warnu Jukurrpa (seven sisters Dreaming) depicts the story of the seven ancestral Napaljarri sisters who are found in the night sky today in the cluster of seven stars in the constellation Taurus, more commonly known as the Pleiades. The Pleiades are seven women of the Napaljarri skin group and are often depicted in paintings of this Jukurrpa carrying the Jampijinpa man ‘wardilyka’ (the bush turkey [Ardeotis australias]) who is in love with the Napaljarri-warnu and who represents the Orion's Belt cluster of stars. Jukurra-jukurra, the morning star, is a Jakamarra man who is also in love with the seven Napaljarri sisters and is often shown chasing them across the night sky. In a final attempt to escape from the Jakamarra the Napaljarri-warnu turned themselves into fire and ascended to the heavens to become stars. The custodians of the Napaljarri-warnu Jukurrpa are Japaljarri/Jungarrayi men and Napaljarri/Nungarrayi women. Some parts of the Napaljarri-warnu Jukurrpa are closely associated with men’s sacred ceremonies of a very secretive nature.
  
  In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. Often depicted in paintings for this Jukurrpa is the female star Yantarlarangi (Venus - the Evening Star) who chases the seven Napaljarri sisters for having stolen the night from her.
  

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Savannah Napurrurla Ross - Patterns of the Landscape around Yuendumu

$155.00

• Details
• Artwork

• Artist: Savannah Napurrurla Ross
  Artwork: Patterns of the Landscape around Yuendumu
  Catalogue Number: 3096/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Patterns of the Landscape around Yuendumu
  The artists has represented the patterns of the landscape associated to her country and to her Jukurrpa. Yuendumu is located 290 km north west of Alice Springs where sand storms and whirly-whirly (mini tornados) are a frequent occurrence in the country. 
  

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Vanetta Nampijinpa Hudson - Warlukurlangu Jukurrpa (Fire country Dreaming)

$155.00

• Details
• Artwork

• Artist: Vanetta Nampijinpa Hudson
  Artwork: Warlukurlangu Jukurrpa (Fire country Dreaming)
  Catalogue Number: 2722/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Warlukurlangu Jukurrpa (Fire country Dreaming)
  The artists has represented the patterns of the landscape associated to her country and to her Jukurrpa. Yuendumu is located 290 km north west of Alice Springs where sand storms and whirly-whirly (mini tornados) are a frequent occurrence in the country. 
  

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Sheree Napurrurla Wayne - Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming)

$155.00

• Details
• Artwork

• Artist: Sheree Napurrurla Wayne
  Artwork: Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming)
  Catalogue Number: 2764/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming)
  This Jukurrpa belongs to women of the Nakamarra/Napurrurla subsections and to Jakamarra/Jupurrurla men. This Dreaming is associated with a place called Jaralypari, north of Yuendumu. Lukarrara (desert fringe-rush [Fimbristylis oxystachya & Fimbristylis eremophila]) is a grass with an edible seed. The seeds are traditionally ground on a large stone (‘ngatinyanu’) with a smaller stone (‘ngalikirri’) to make flour. This flour is mixed with water (‘ngapa’) to make damper cakes which are cooked and eaten. In Warlpiri traditional paintings iconography is used to represent the Jukurrpa, particular sites and other elements. Large concentric circles often represent the site of Jaralypari and also the seed bearing grass Lukurrara. ‘U’ shapes can depict the Karnta (women) collecting ‘lukarrara’ and straight lines are frequently used to portray seeds that fall down to the ground and are also collected by women using their ‘parrajas’ (wooden food carriers) and ‘karlangu’ (digging sticks).
  

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Sheree Napurrurla Wayne - Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming)

$155.00

• Details
• Artwork

• Artist: Sheree Napurrurla Wayne
  Artwork: Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming)
  Catalogue Number: 2765/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming)
  This Jukurrpa belongs to women of the Nakamarra/Napurrurla subsections and to Jakamarra/Jupurrurla men. This Dreaming is associated with a place called Jaralypari, north of Yuendumu. Lukarrara (desert fringe-rush [Fimbristylis oxystachya & Fimbristylis eremophila]) is a grass with an edible seed. The seeds are traditionally ground on a large stone (‘ngatinyanu’) with a smaller stone (‘ngalikirri’) to make flour. This flour is mixed with water (‘ngapa’) to make damper cakes which are cooked and eaten. In Warlpiri traditional paintings iconography is used to represent the Jukurrpa, particular sites and other elements. Large concentric circles often represent the site of Jaralypari and also the seed bearing grass Lukurrara. ‘U’ shapes can depict the Karnta (women) collecting ‘lukarrara’ and straight lines are frequently used to portray seeds that fall down to the ground and are also collected by women using their ‘parrajas’ (wooden food carriers) and ‘karlangu’ (digging sticks).
  

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Cecilia Napurrurla Wilson - Nguru Yurntumu-wana (Country around Yuendumu)

$155.00

• Details
• Artwork

• Artist: Cecilia Napurrurla Wilson
  Artwork: Nguru Yurntumu-wana (Country around Yuendumu)
  Catalogue Number: 687/19
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Nguru Yurntumu-wana (Country around Yuendumu)
  This painting depicts the natural landscape around Yuendumu. The bush around Yuendumu features plenty of ‘watiya’ (trees), ‘marna’ (grass), ‘kuyu’ (animals) to hunt, and ‘miyi’ (edible plants) to gather.
  
  There are a number of beautiful natural features close to Yuendumu, including rocky hills, creeks, soakages, and waterholes. There are also a number of small outstations around Yuendumu. These include Yuwali (Bean Tree), Wakurlpa, Purturlu (Mt. Theo), Jirla (Chilla Well), Yarripirlangu, Wayililinpa, and many more.
  
  There are many sites around Yuendumu that are associated with different ‘Jukurrpa’ (Dreamings). These sites include a major ‘yunkaranyi Jukurrpa’ (honey ant Dreaming), which travels from the west to the east. Yuendumu is sometimes also called ‘yurrampi’ (honey ant) for this reason.
  
  A very big ‘ngapa Jukurrpa’ (water Dreaming) travels past Yuendumu from the south far to the north. This Jukurrpa stops at Warlura, a waterhole 8 miles east of Yuendumu, and at Jukajuka, an important rock formation. ‘Warlukurlangu Jukurrpa’ (fire country Dreaming) lies to the west of Yuendumu, on the way to Nyirrpi. You can see the ‘warlu’ (fire) in the form of hundreds of red ‘mingkirri’ (termite mounds) that rise out of the ground in this area.
  
  Other Jukurrpa around Yuendumu include a ‘janganpa Jukurrpa’ (brush-tailed possum [Tricosurus vulpecula] Dreaming) associated with the hills to the north, and a ‘yankirri Jukurrpa’ (emu [Dromaius novaehollandiae ] Dreaming) associated with Ngarlikirlangu, a rock formation to the north. A ‘warlawurru Jukurrpa’ (wedge-tailed eagle [Aquila audax] Dreaming) is associated with the Wakurlpa outstation and hills. A very big ‘warna Jukurrpa’ (snake Dreaming) passes through Mijirlparnta (Mission Creek), west of Yuendumu. This Jukurrpa tells the story of a blind and crippled python, Yarripiri, who was carried by the ‘kurdungurlu’ (custodians) of the Jukurrpa from the south to the far north. This Jukurrpa is associated with the important Jardiwarnpa conflict resolution ceremony.
  
  All the sites around Yuendumu are owned and cared for by different skin subsections and are associated with different Jukurrpa. Some people are ‘kirda’ (owners) of the Jukurrpa, and others are ‘kurdungurlu’ (custodians).
  
  In Warlpiri paintings, traditional iconography can be used to represent the landscape around the area, the Jukurrpa, and other elements. Paintings of Jukurrpa around Yuendumu can include emu tracks, possum tracks, or eagle tracks. Wavy lines are frequently used to represent water or fire, and concentric circles can represent waterholes or camps.
  
  

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Cecilia Napurrurla Wilson - Nguru Yurntumu-wana (Country around Yuendumu)

$155.00

• Details
• Artwork

• Artist: Cecilia Napurrurla Wilson
  Artwork: Nguru Yurntumu-wana (Country around Yuendumu)
  Catalogue Number: 1632/19
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Nguru Yurntumu-wana (Country around Yuendumu)
  This painting depicts the natural landscape around Yuendumu. The bush around Yuendumu features plenty of ‘watiya’ (trees), ‘marna’ (grass), ‘kuyu’ (animals) to hunt, and ‘miyi’ (edible plants) to gather.
  
  There are a number of beautiful natural features close to Yuendumu, including rocky hills, creeks, soakages, and waterholes. There are also a number of small outstations around Yuendumu. These include Yuwali (Bean Tree), Wakurlpa, Purturlu (Mt. Theo), Jirla (Chilla Well), Yarripirlangu, Wayililinpa, and many more.
  
  There are many sites around Yuendumu that are associated with different ‘Jukurrpa’ (Dreamings). These sites include a major ‘yunkaranyi Jukurrpa’ (honey ant Dreaming), which travels from the west to the east. Yuendumu is sometimes also called ‘yurrampi’ (honey ant) for this reason.
  
  A very big ‘ngapa Jukurrpa’ (water Dreaming) travels past Yuendumu from the south far to the north. This Jukurrpa stops at Warlura, a waterhole 8 miles east of Yuendumu, and at Jukajuka, an important rock formation. ‘Warlukurlangu Jukurrpa’ (fire country Dreaming) lies to the west of Yuendumu, on the way to Nyirrpi. You can see the ‘warlu’ (fire) in the form of hundreds of red ‘mingkirri’ (termite mounds) that rise out of the ground in this area.
  
  Other Jukurrpa around Yuendumu include a ‘janganpa Jukurrpa’ (brush-tailed possum [Tricosurus vulpecula] Dreaming) associated with the hills to the north, and a ‘yankirri Jukurrpa’ (emu [Dromaius novaehollandiae ] Dreaming) associated with Ngarlikirlangu, a rock formation to the north. A ‘warlawurru Jukurrpa’ (wedge-tailed eagle [Aquila audax] Dreaming) is associated with the Wakurlpa outstation and hills. A very big ‘warna Jukurrpa’ (snake Dreaming) passes through Mijirlparnta (Mission Creek), west of Yuendumu. This Jukurrpa tells the story of a blind and crippled python, Yarripiri, who was carried by the ‘kurdungurlu’ (custodians) of the Jukurrpa from the south to the far north. This Jukurrpa is associated with the important Jardiwarnpa conflict resolution ceremony.
  
  All the sites around Yuendumu are owned and cared for by different skin subsections and are associated with different Jukurrpa. Some people are ‘kirda’ (owners) of the Jukurrpa, and others are ‘kurdungurlu’ (custodians).
  
  In Warlpiri paintings, traditional iconography can be used to represent the landscape around the area, the Jukurrpa, and other elements. Paintings of Jukurrpa around Yuendumu can include emu tracks, possum tracks, or eagle tracks. Wavy lines are frequently used to represent water or fire, and concentric circles can represent waterholes or camps.
  
  

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Shirley Napanangka Martin - Puturlu Jukurrpa (Mt Theo Dreaming)

$155.00

• Details
• Artwork

• Artist: Shirley Napanangka Martin
  Artwork: Puturlu Jukurrpa (Mt Theo Dreaming)
  Catalogue Number: 1792/19
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Puturlu Jukurrpa (Mt Theo Dreaming)
  The Purlapurla Jukurrpa (black kite [Milvus migrans] Dreaming) is centred on the Kakurtu (Mount Dennison) area. This painting concerns a ‘purlapurla’ ancestral hero who lived there. ‘Purlapurla’ flies high in the sky like the ‘warlawurru’ (wedge-tailed eagle) and perches in the top of trees. The story relates an incident where he had injured his legs and was flying up and down. In paintings of this Jukurrpa often the hero is indicated by a vertical line or lines in the painting. The Purlapurla Jukurrpa belongs to the Nungarrayi/Napaljarri women and to the Jungarrayi/Japaljarri men.
  

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Mathessa Nampijinpa Hargraves - Ngapa Jukurrpa (Water Dreaming) Puyurru

$155.00

• Details
• Artwork

• Artist: Mathessa Nampijinpa Hargraves
  Artwork: Ngapa Jukurrpa (Water Dreaming) - Puyurru
  Catalogue Number: 2759/19
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Ngapa Jukurrpa (Water Dreaming) - Puyurru
  The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The 'kirda' (owners) for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled across the country from the east to the west, initially travelling with a ‘pamapardu Jukurrpa’ (termite Dreaming) from Warntungurru to Warlura, a waterhole 8 miles east of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji. At this point the Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and also stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.
  
  The termite Dreaming eventually continued west to Nyirripi, a community approximately 160 km west of Yuendumu. The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a ‘kirrkarlanji’ (brown falcon [Falco berigora]) and taken farther north. At Puyurru, the falcon dug up a giant ‘warnayarra’ (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The ‘kirda’ (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
  
  In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming). Short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river bed.
  

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Azaria Nampijinpa Robertson - Mina Mina Jukurrpa (Mina Mina Dreaming)

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• Artist: Azaria Nampijinpa Robertson
  Artwork: Mina Mina Jukurrpa (Mina Mina Dreaming)
  Catalogue Number: 6314/19
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Mina Mina Jukurrpa (Mina Mina Dreaming)
  Mina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks [Allocasuarina decaisneana]). The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.
  
  The ‘kirda’ (owners) of this country are Napangardi/Napanangka women and Japangardi/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak[Allocasuarina decaisneana]).
  
  The Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.
  
  When the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.
  
  The women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ (bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. 
  
  The women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other group of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu to dig for ‘wardapi’ (sand monitor/goanna [Varanus gouldii]) and ‘jintiparnta’ (desert truffle) before going further north. Both groups eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.
  
  This Jukurrpa contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men.
  
  In contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of the Mina Mina Jukurrpa,  sinuous lines are often used to represent ‘ngalyipi’ (snakevine). Circles and roundels can represent the ‘jintiparnta’ (desert truffle) that the women collected as they travelled, and straight lines are used to represent the ‘karlangu’ (digging sticks). ‘Majardi’ (hairstring skirts) are represented by wavy lines suspended from a single curved line.
  

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Asandria Napanangka Martin - Yarla Jukurrpa (Bush Potato Dreaming) Cockatoo Creek

$155.00

• Details
• Artwork

• Artist: Asandria Napanangka Martin
  Artwork: Yarla Jukurrpa (Bush Potato Dreaming) - Cockatoo Creek
  Catalogue Number: 2103/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Yarla Jukurrpa (Bush Potato Dreaming) - Cockatoo Creek
  This Yarla Jukurrpa belongs to men of the Japaljarri/Jungarrayi subsections and to Napaljarri/Nungarrayi women. It comes from an area to the east of Yuendumu called Cockatoo Creek. ‘Yarla’ (bush potato [Ipomea costata]) are fibrous tubers that grow beneath a low spreading plant, found by looking for cracks in the ground. This edible tuber grows from ‘yartura’ (roots) which seek out moisture to spout new plants. Yarla are good to eat, when cooked they are really soft and tasty. The Jukurrpa tells of ‘yarla’ and ‘wapirti’ (bush carrot [Vigna lanceolata]) ancestors fighting a big battle in this area. The specific site associated with this painting is a ‘mulju’ (water soakage) called Ngarparapunyu. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. The curved lines of the ‘kuruwarri’ (ceremonial designs) represent the ‘ngamarna’ (vine-like tendrils) from which grow ‘jinjirla’ (flowers). ‘Karlangu’ (digging sticks) are usually represented as straight lines. ‘Karlangu’are used by women to dig for bush tucker like Yarla and Wapirti which are found underground.
  

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Jenita Tjarurru Robertson - Nguru Warburton-wana (Country around Warburton)

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• Artist: Jenita Tjarurru Robertson
  Artwork: Nguru Warburton-wana (Country around Warburton)
  Catalogue Number: 1824/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Nguru Warburton-wana (Country around Warburton)
  The artist has painted country where they grew up in Warburton, just south of the Gibson Desert. Here they spent time with family who lived at a very small outstation with a couple of houses out in the bush. Near to the outstation is a rockhole where the artist learned how to find bush tucker like honey ants and turkey.
  

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Charlene Napanangka Marshall - Wanakiji Jukurrpa (Bush Tomato Dreaming)

$155.00

• Details
• Artwork

• Artist: Charlene Napanangka Marshall
  Artwork: Wanakiji Jukurrpa (Bush Tomato Dreaming)
  Catalogue Number: 2529/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Wanakiji Jukurrpa (Bush Tomato Dreaming)
  The Wanakiji Jukurrpa (bush tomato [Solanum chippendalei] Dreaming) travels through Yaturlu (near Mount Theo, north of Yuendumu). “Wanakiji” grows in open spinifex country and is a small, prickly plant with purple flowers that bears green fleshy fruit with many small black seeds. After collecting the fruit the seeds are removed with a small wooden spoon called ‘kajalarra’. The fruit then can be eaten raw or threaded onto skewers called ‘turlturrpa’ and then cooked over a fire. ‘Wanakiji’ can also be skewered and left to dry. When they are prepared in this way it is called ‘turlturrpa’ and the fruit can be kept for a long time. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. The Wanakiji Jukurrpa belongs to Napanangka/Napangardi women and Japanangka/Japangardi men.
  

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Sabrina Nungarrayi Gibson - Yankirri Jukurrpa (Emu Dreaming) - Ngarlikirlangu

$155.00

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• Artist: Sabrina Nungarrayi Gibson
  Artwork: Yankirri Jukurrpa (Emu Dreaming) - Ngarlikirlangu
  Catalogue Number: 2476/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Yankirri Jukurrpa (Emu Dreaming) - Ngarlikirlangu
  This painting depicts a ‘yankirri Jukurrpa’ (emu [Dromaius novaehollandiae] Dreaming) from a place called Ngarlikurlangu, approximately 50kms north of Yuendumu. The ‘kirda’ (owners) of this Dreaming are Nangala/Nampijinpa women and Jangala/Jampijinpa men. 
  
  This Jukurrpa tells the story of a ‘yankirri’ (emu) and a ‘wardilyka’ (bush turkey [Ardeotis australis]). ‘Yankirri’ lived at a soakage to the west called Warnirripanu (or Walangkamirirri), while ‘wardilyka’ lived at a soakage to the east called Parirri.  The emu and bush turkey used to go around the country picking ‘yakajirri’ (bush raisins [Solanum centrale]) and mashing them into ‘kapurdu’ (fruit balls) to save in their nests for later. However, they were jealous of each other; the emu thought that the bush turkey was picking the best and juiciest ‘yakajirri’, and was leaving him with only the sour ‘yakajirri’.
  
  The emu went to the bush turkey’s nest to the east while the bush turkey was out hunting and smashed up the ‘kapurdu’ that the bush turkey had saved there. When the bush turkey returned, he found his smashed ‘yakajirri’ balls and realized that the emu had destroyed them. He went to the west to confront the emu and when he found him, they got into a big fight. The bush turkey eventually flew away to the north, leaving behind the smashed ‘yakajirri’ balls.
  
  This practice of making ‘kapurdu’ (fruit balls) is a traditional Warlpiri method of storing ‘yakajirri’; in the old days, people used to dry the ‘yakajirri’, grind them up with a rock in a coolamon, mix them with water and form balls from them, and cover the ‘kapurdu’ with red ochre so they would keep.
  
  Today at Ngarlikirlangu we can see round, red rocks which are the ‘kapurdu’ that the emu smashed up. There is also a dance for this ‘yankirri’ (emu) Jukurrpa that is performed during mens’ initiation ceremonies. A number of other Jukurrpa are also located at Ngarlikirlangu, including ‘wardilyka Jukurrpa’ (bush turkey Dreaming), ‘yardijiinypa Jukurrpa’ (meat ant Dreaming), and ‘pirntina Jukurrpa’ (woma or Ramsay’s python [Aspidites ramsayi] Dreaming). Lots of ‘yakajirri’ grow around the Ngarlikirlangu area today.
   
  In contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, associated sites, and other elements. ‘Yankirri’ are usually represented by arrow-like shapes depicting their ‘wirliya’ (footprints) as they walk around.
  
  

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Cecily Napanangka Marshall - Pikilyi Jukurrpa (Vaughan Springs Dreaming)

$155.00

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• Artist: Cecily Napanangka Marshall
  Artwork: Pikilyi Jukurrpa (Vaughan Springs Dreaming)
  Catalogue Number: 2421/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Pikilyi Jukurrpa (Vaughan Springs Dreaming)
  Pikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka/Napanangka and Japangardi/Napangardi skin groups.
  

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Lynette Nangala Singleton - Ngapa Jukurrpa (Water Dreaming) - Puyurru

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• Artist: Lynette Nangala Singleton
  Artwork: Ngapa Jukurrpa (Water Dreaming) - Puyurru
  Catalogue Number: 2269/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Ngapa Jukurrpa (Water Dreaming) - Puyurru
  The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The 'kirda' (owners) for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled across the country from the east to the west, initially travelling with a ‘pamapardu Jukurrpa’ (termite Dreaming) from Warntungurru to Warlura, a waterhole 8 miles east of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji. At this point the Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and also stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.
  
  The termite Dreaming eventually continued west to Nyirripi, a community approximately 160 km west of Yuendumu. The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a ‘kirrkarlanji’ (brown falcon [Falco berigora]) and taken farther north. At Puyurru, the falcon dug up a giant ‘warnayarra’ (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The ‘kirda’ (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
  
  In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming). Short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river bed.
  

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Selina Nakamarra Gorey - Karnta Jukurrpa (Womens Dreaming)

$155.00

• Details
• Artwork

• Artist: Selina Nakamarra Gorey
  Artwork: Karnta Jukurrpa (Womens Dreaming)
  Catalogue Number: 3083/19
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Karnta Jukurrpa (Womens Dreaming)
  This painting depicts Nakamarra and Napurrurla women hunting for bush foods. The ‘kirda’ (owners) for this story are Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. Yumurrpa and Wapurtali are two major Dreaming sites owned by the Nakamarra/Jakamarra and Napurrurla/Jupurrurla subsections; these sites are also associated with bush food Dreamings. Yumurrpa is a major waterhole to the northwest of Yuendumu and a ‘yarla’ (bush potato [Ipomea costata]) Dreaming site. The area north of Wapurtali/Yintaramurru (Mt. Singleton) is a ‘wanakiji’ (bush tomato [Solanum chippendalei]) Dreaming site.
  
  Warlpiri women hunt for a number of different bush foods at different times of the year. These include ‘ngarlkirdi’ (witchetty grubs [Endoxyla leucomochla larvae]), ‘yunkaranyi’ (honey ants [Camponotus inflatus]), ‘jintiparnta’ and ‘purlantarri’ (desert truffle [Elderia arenivaga]), ‘yuparli’ (bush bananas [Marsdenia australis]), ‘janmarda’ (bush onions [Cyperus bulbosus]), ‘pirlala’ (bush beans [Acacia coriacea seeds]), ‘ngarlajiyi’ (bush carrots [Vigna lanceolata]), ‘wayipi’ (small bush carrots [Boerhavia diffusa]), and ‘yakajirri’ (bush raisins [Solanum centrale]). Women traditionally dug for these foods using wooden ‘karlangu’ (digging sticks). The end of the digging sticks were charred and ground on a stone surface to create a bevelled edge. Today many Warlpiri women use crowbars (also called ‘karlangu’) to dig for bush foods. Collected bush foods are traditionally carried in ‘parraja’ (coolamons), which can be carried with a strap made from the ‘ngalyipi’ (snake vine [Tinospora smilacina]).
  
  In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. Concentric circles are often used to represent the bush foods that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks). Sinuous lines are often used to represent the ‘ngalyipi’ (snake vine).
  

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