Products

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

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Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Aboriginal Art Metal Dogs

$45.00

Enjoy your very own piece of original, hand painted artwork. Freestanding, each one of these metal dogs, represents a real animal from the Yuendumu region and are made in collaboration with...

View full product details

Alana Ngwarraye Holmes - My Country

$910.00

• Details
• Artwork

• Artist: Alana Ngwarraye Holmes
  Artwork: My Country
  Catalogue Number: 962-19
  Size: 61cm x 61cm
  Acrylic on Cotton - unstretched.  
  Painting will be shipped rolled, unstretched.
  Artworks include a Certificate of Authenticity from Artists of Ampilatwatja. 
  
• My Country
  The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit.
  
  "This is my country. I paint because I enjoy pain􀆟ng. My Mother, Edie Holmes let us paint with her when we where young and now we paint all the time. We stilll paint and talk together in a family group with our kids." - Alana
  
  Alana has painted her country after rain where the ground may seem dry but the flowers and trees are green and growing strong.
  

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Andrea Napanangka Tasman - Ngapa Jukurrpa (Water Dreaming) - Mikanji

$155.00

• Details
• Artwork

• Artist: Andrea Napanangka Tasman
  Artwork: Ngapa Jukurrpa (Water Dreaming) - Mikanji
  Catalogue Number: 3004/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Ngapa Jukurrpa (Water Dreaming) - Mikanji
  The country associated with this 'ngapa Jukurrpa' (water Dreaming) is Mikanji, a watercourse west of Yuendumu that is usually dry. There are ‘mulju’ (soakages) in this creek bed. The 'kirda' (owners) of this Dreaming site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Mikanji is an important water Dreaming site, and features in at least three different water Dreaming tracks.
  
  In one story, the water Dreaming travelled from Puyurru, northwest of Yuendumu, to a ‘mulju’ (soakage) in the Mikanji creek. It unleashed a huge storm there. Two old blind women of the Nampijinpa skin group were sitting by the side of the soakages. As the two women strained their eyes to see the sky, tears formed in their eyes, creating the rain. Their spirits can still be seen at Mikanji in the form of two ‘ngapiri’ (river red gums) growing near the soakage.
  
  A second water Dreaming track that passes through Mikanji is also owned by the Nangala/Jangala and Nampijinpa/Jampijinpa subsections, and travels further west. At Mikanji, the storm rained so hard it created a hole in the ground which became a soakage. At Mirawarri a ‘kirrkarlanji’ (brown falcon [Falco berigora]) picked up the storm and carried it on its wings to the west until it became too heavy for it. The falcon eventually dropped the storm at Pirlinyarnu (Mt. Farewell) about 165 km west of Yuendumu, where it formed an enormous ‘maluri’ (claypan). A ‘mulju’ (soakage) exists in this place today.
  
  A third Dreaming track that passes through Mikanji is the story of the water Dreaming and ‘pamapardu Jukurrpa’ (termite Dreaming). This Dreaming travels further north. This water Dreaming is owned by Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. The termite and water Dreamings travelled together from Warntungurru in the east past Warlura (a waterhole 8 miles east of Yuendumu), Wirnpa, Kanaralji, Ngamangama, and Jukajuka. A portion of this Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The termite Dreaming moved on to the west to Nyirrpi, a community approximately 160 km west of Yuendumu, whereas the water Dreaming travelled on to Mikanji. A ‘kirrkarlanji’ (brown falcon) eventually picked up the water and tied it to its head using hairstring. The falcon travelled north with the water Dreaming; at Puyurru, it flew under a tree and the water fell off of its head, forming a soakage there. The Dreaming then travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
  
  In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river beds.
  

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Andrew Jampijinpa Brown - Nguru Nyirrpi-wana (Country around Nyirrpi)

$155.00

• Details
• Artwork

• Artist: Andrew Jampijinpa Brown
  Artwork: Nguru Nyirrpi-wana (Country around Nyirrpi)
  Catalogue Number: 3423/19ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Nguru Nyirrpi-wana (Country around Nyirrpi)
  This painting depicts the natural landscape around Nyirrpi, a small Warlpiri community (originally an outstation) about 160 km west of Yuendumu. About 200 people live in Nyirrpi today. The bush around Nyirrpi features plenty of ‘watiya’ (trees), ‘marna’ (grass), ‘kuyu’ (animals) to hunt, and ‘miyi’ (edible plants) to gather.
  
  There are a number of beautiful natural features close to Nyirrpi, including sandhills, soakages, and Karrku (Mt. Stanley), a large flat-topped hill that is an important source of red ochre used during ceremonies. There are also a number of small outstations around Nyirrpi. These include Wayililinpa, Yinjirimardi, Karrinyarra (Mt. Wedge), Nginyirripalangu, and many more.
  
  Many sites around Nyirrpi are associated with different ‘Jukurrpa’ (Dreamings). These sites include Karrku, which is associated with a ‘karnta Jukurrpa’ (womens’ Dreaming) and a ‘ngalyipi Jukurrpa’ (snake vine [Tinospora smilacina] Dreaming). In the Jukurrpa, two women of the Napaljarri skin subsection threw a hairstring rope around Karrku and tried to pull it down.
  
  Other Jukurrpa around Nyirrpi include the ‘warna Jukurrpa’ (snake Dreaming) that travels north from Kunajarrayi (Mt. Nicker), the ‘maliki Jukurrpa’ (dog Dreaming) associated with Winijardu, a hill, and the ‘marlu Jukurrpa’ (kangaroo Dreaming) that travels from north to south past Nyirrpi. There is also a ‘pamapardu Jukurrpa’ (termite Dreaming) and ‘mukaki Jukurrpa’ (bush plum [Santalum lanceolatum] Dreaming) associated with Warntungurru, a hill close to Nyirrpi. This ‘pamapardu Jukurrpa’ (termite Dreaming) travels from Wapurtali (Mt. Singleton) in the west to Warntungurru.
  
  The Jukurrpa sites around Nyirrpi are all owned and cared for by different skin subsections. Some people are ‘kirda’ (owners) of the Jukurrpa, and others are ‘kurdungurlu’ (custodians).
  
  In Warlpiri paintings, traditional iconography can be used to represent the landscape around Nyirrpi, the Jukurrpa, and other elements. Paintings of Jukurrpa around Nyirrpi can include wavy lines that are used to represent the ‘ngalyipi’ (snake vine), dashed lines used to represent the ‘pamapardu’ (termites), and concentric circles used to represent waterholes or ‘mingkirri’ (termite mounds).
  

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Asandria Napanangka Martin - Mina Mina Jukurrpa (Mina Mina Dreaming)

$155.00

• Details
• Artwork

• Artist: Asandria Napanangka Martin
  Artwork: Mina Mina Jukurrpa (Mina Mina Dreaming)
  Catalogue Number: 1582/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Mina Mina Jukurrpa (Mina Mina Dreaming)
  
  Mina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks [Allocasuarina decaisneana]). The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.
  
  The ‘kirda’ (owners) of this country are Napangardi/Napanangka women and Japangardi/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak[Allocasuarina decaisneana]).
  
  The Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.
  
  When the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.
  
  The women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ (bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. 
  
  The women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other group of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu to dig for ‘wardapi’ (sand monitor/goanna [Varanus gouldii]) and ‘jintiparnta’ (desert truffle) before going further north. Both groups eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.
  
  This Jukurrpa contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men.
  
  In contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of the Mina Mina Jukurrpa,  sinuous lines are often used to represent ‘ngalyipi’ (snakevine). Circles and roundels can represent the ‘jintiparnta’ (desert truffle) that the women collected as they travelled, and straight lines are used to represent the ‘karlangu’ (digging sticks). ‘Majardi’ (hairstring skirts) are represented by wavy lines suspended from a single curved line.
  

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Asandria Napanangka Martin - Yarla Jukurrpa (Bush Potato Dreaming) Cockatoo Creek

$155.00

• Details
• Artwork

• Artist: Asandria Napanangka Martin
  Artwork: Yarla Jukurrpa (Bush Potato Dreaming) - Cockatoo Creek
  Catalogue Number: 2103/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Yarla Jukurrpa (Bush Potato Dreaming) - Cockatoo Creek
  This Yarla Jukurrpa belongs to men of the Japaljarri/Jungarrayi subsections and to Napaljarri/Nungarrayi women. It comes from an area to the east of Yuendumu called Cockatoo Creek. ‘Yarla’ (bush potato [Ipomea costata]) are fibrous tubers that grow beneath a low spreading plant, found by looking for cracks in the ground. This edible tuber grows from ‘yartura’ (roots) which seek out moisture to spout new plants. Yarla are good to eat, when cooked they are really soft and tasty. The Jukurrpa tells of ‘yarla’ and ‘wapirti’ (bush carrot [Vigna lanceolata]) ancestors fighting a big battle in this area. The specific site associated with this painting is a ‘mulju’ (water soakage) called Ngarparapunyu. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. The curved lines of the ‘kuruwarri’ (ceremonial designs) represent the ‘ngamarna’ (vine-like tendrils) from which grow ‘jinjirla’ (flowers). ‘Karlangu’ (digging sticks) are usually represented as straight lines. ‘Karlangu’are used by women to dig for bush tucker like Yarla and Wapirti which are found underground.
  

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Athena Nangala Granites - Napaljarri-warnu Jukurrpa (Seven Sisters Dreaming)

• Details
• Artwork

• Artist: Athena Nangala Granites
  Artwork: Napaljarri-warnu Jukurrpa (Seven Sisters Dreaming)
  Catalogue Number: 5125/19
  Size: 152cm x 122cm
  Acrylic on canvas - unstretched.
  Painting will be shipped rolled, unstretched.
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Napaljarri-warnu Jukurrpa (Seven Sisters Dreaming)
  The Napaljarri-warnu Jukurrpa (seven sisters Dreaming) depicts the story of the seven ancestral Napaljarri sisters who are found in the night sky today in the cluster of seven stars in the constellation Taurus, more commonly known as the Pleiades. The Pleiades are seven women of the Napaljarri skin group and are often depicted in paintings of this Jukurrpa carrying the Jampijinpa man ‘wardilyka’ (the bush turkey [Ardeotis australias]) who is in love with the Napaljarri-warnu and who represents the Orion's Belt cluster of stars. Jukurra-jukurra, the morning star, is a Jakamarra man who is also in love with the seven Napaljarri sisters and is often shown chasing them across the night sky. In a final attempt to escape from the Jakamarra the Napaljarri-warnu turned themselves into fire and ascended to the heavens to become stars. The custodians of the Napaljarri-warnu Jukurrpa are Japaljarri/Jungarrayi men and Napaljarri/Nungarrayi women. Some parts of the Napaljarri-warnu Jukurrpa are closely associated with men’s sacred ceremonies of a very secretive nature. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. Often depicted in paintings for this Jukurrpa is the female star Yantarlarangi (Venus - the Evening Star) who chases the seven Napaljarri sisters for having stolen the night from her.
  

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Athena Nangala Granites - Napaljarri-warnu Jukurrpa (Seven Sisters Dreaming)

• Details
• Artwork

• Artist: Athena Nangala Granites
  Artwork: Napaljarri-warnu Jukurrpa (Seven Sisters Dreaming)
  Catalogue Number: 3066/20
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Napaljarri-warnu Jukurrpa (Seven Sisters Dreaming)
  The Napaljarri-warnu Jukurrpa (seven sisters Dreaming) depicts the story of the seven ancestral Napaljarri sisters who are found in the night sky today in the cluster of seven stars in the constellation Taurus, more commonly known as the Pleiades. The Pleiades are seven women of the Napaljarri skin group and are often depicted in paintings of this Jukurrpa carrying the Jampijinpa man ‘wardilyka’ (the bush turkey [Ardeotis australias]) who is in love with the Napaljarri-warnu and who represents the Orion's Belt cluster of stars. Jukurra-jukurra, the morning star, is a Jakamarra man who is also in love with the seven Napaljarri sisters and is often shown chasing them across the night sky. In a final attempt to escape from the Jakamarra the Napaljarri-warnu turned themselves into fire and ascended to the heavens to become stars. The custodians of the Napaljarri-warnu Jukurrpa are Japaljarri/Jungarrayi men and Napaljarri/Nungarrayi women. Some parts of the Napaljarri-warnu Jukurrpa are closely associated with men’s sacred ceremonies of a very secretive nature.
  
  In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. Often depicted in paintings for this Jukurrpa is the female star Yantarlarangi (Venus - the Evening Star) who chases the seven Napaljarri sisters for having stolen the night from her.
  

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Azaria Nampijinpa Robertson - Mina Mina Jukurrpa (Mina Mina Dreaming)

• Details
• Artwork

• Artist: Azaria Nampijinpa Robertson
  Artwork: Mina Mina Jukurrpa (Mina Mina Dreaming)
  Catalogue Number: 6314/19
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Mina Mina Jukurrpa (Mina Mina Dreaming)
  Mina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks [Allocasuarina decaisneana]). The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women.
  
  The ‘kirda’ (owners) of this country are Napangardi/Napanangka women and Japangardi/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak[Allocasuarina decaisneana]).
  
  The Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled.
  
  When the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today.
  
  The women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ (bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. 
  
  The women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other group of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu to dig for ‘wardapi’ (sand monitor/goanna [Varanus gouldii]) and ‘jintiparnta’ (desert truffle) before going further north. Both groups eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good.
  
  This Jukurrpa contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men.
  
  In contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of the Mina Mina Jukurrpa,  sinuous lines are often used to represent ‘ngalyipi’ (snakevine). Circles and roundels can represent the ‘jintiparnta’ (desert truffle) that the women collected as they travelled, and straight lines are used to represent the ‘karlangu’ (digging sticks). ‘Majardi’ (hairstring skirts) are represented by wavy lines suspended from a single curved line.
  

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Beverly Pula Luck - Bush Medicine Plants

$760.00

• Details
• Artwork

• Artist: Beverly Pula Luck
  Artwork: Bush Medicine Plants
  Catalogue Number: 173-14
  Size: 61cm x 51cm
  Acrylic on Canvas - unstretched.  
  Painting will be shipped rolled, unstretched.
  Artworks include a Certificate of Authenticity from Artists of Ampilatwatja. 
  
• Bush Medicine Plants
  "Bush medicine plants are used for healing on the body and for drinking. We make this by smashing the plants with a rock, we use the juice and the fibre of the plant.
  
  We collect bush medicine plants when we are out hunting. Different kinds of plants grow during different seasons.
  
  There are lots of different medicines, we know what their stories are, we learnt them from our parents and we teach these stories to our
  children."
  
  Bush medicine knowledge is still strong in Ampilatwatja, it continues to be passed down to the younger generations and is widely used.
  
  When the women go hunting they often gather bush medicine. The plants depicted here are found in the country around Ampilatwatja, they
  are used for soothing skin infections and to make a drink to help with colds and coughs.
  
  Painting bush medicine stories is important because it helps to maintain a strong knowledge and culture for the community.
  

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Beverly Pula Luck - My Mother's Country

$760.00

• Details
• Artwork

• Artist: Beverly Pula Luck
  Artwork: My Mother's Country
  Catalogue Number: 614-19
  Size: 61cm x 51cm
  Acrylic on Linen - unstretched.  
  Painting will be shipped rolled, unstretched.
  Artworks include a Certificate of Authenticity from Artists of Ampilatwatja. 
  
• My Mother's Country
  The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit.
  
  Beverly has painted her Mother's country. When Beverly was a child her mother took her all around her country and showed her the bush medicine and bush tucker.
  

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Brereton Jungarrayi Spencer - Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji

$155.00

• Details
• Artwork

• Artist: Brereton Jungarrayi Spencer
  Artwork: Janganpa Jukurrpa (Brush-tail Possum Dreaming)-  Mawurrji
  Catalogue Number: 2200/19ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Janganpa Jukurrpa (Brush-tail Possum Dreaming)-  Mawurrji
  Janganpa Jukurrpa (common brush-tail possum [Trichosurus vulpecula] Dreaming) travels all over Warlpiri country. ‘Janganpa’ are nocturnal animals that often nest in the hollows of white gum trees (‘wapunungka’). This story comes from a big hill called Mawurrji, west of Yuendumu and north of Pikilyi (Vaughan Springs). A group of ‘janganpa’ ancestors resided there. Every night they would go out in search of food. Their hunting trips took them to Wirlki and Wanapirdi, where they found ‘pamapardu’ (flying ants). They journeyed on to Ngarlkirdipini looking for water.
  
  A Nampijinpa women was living at Mawurrji with her two daughters. She gave her daughters in marriage to a Jupurrurla ‘janganpa’ but later decided to run away with them. The Jupurrurla angrily pursued the woman. He tracked them to Mawurrji where he killed them with a stone axe. Their bodies are now rocks at this place. Warlpiri people perform a young men’s initiation ceremony, which involves the Janganpa Jukurrpa. The Janganpa Jukurrpa belongs to Jakamarra/Jupurrurla men and Nakamarra/Napurrurla women.
  
  In Warlpiri paintings traditional iconography is used to represent this Jukurrpa. ‘Janganpa’ tracks are often represented as 'E' shaped figures and concentric circles are used to depict the trees in which the ‘janganpa’ live, and also the sites at Mawurrji.
  

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Cecilia Napurrurla Wilson - Nguru Yurntumu-wana (Country around Yuendumu)

$155.00

• Details
• Artwork

• Artist: Cecilia Napurrurla Wilson
  Artwork: Nguru Yurntumu-wana (Country around Yuendumu)
  Catalogue Number: 687/19
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Nguru Yurntumu-wana (Country around Yuendumu)
  This painting depicts the natural landscape around Yuendumu. The bush around Yuendumu features plenty of ‘watiya’ (trees), ‘marna’ (grass), ‘kuyu’ (animals) to hunt, and ‘miyi’ (edible plants) to gather.
  
  There are a number of beautiful natural features close to Yuendumu, including rocky hills, creeks, soakages, and waterholes. There are also a number of small outstations around Yuendumu. These include Yuwali (Bean Tree), Wakurlpa, Purturlu (Mt. Theo), Jirla (Chilla Well), Yarripirlangu, Wayililinpa, and many more.
  
  There are many sites around Yuendumu that are associated with different ‘Jukurrpa’ (Dreamings). These sites include a major ‘yunkaranyi Jukurrpa’ (honey ant Dreaming), which travels from the west to the east. Yuendumu is sometimes also called ‘yurrampi’ (honey ant) for this reason.
  
  A very big ‘ngapa Jukurrpa’ (water Dreaming) travels past Yuendumu from the south far to the north. This Jukurrpa stops at Warlura, a waterhole 8 miles east of Yuendumu, and at Jukajuka, an important rock formation. ‘Warlukurlangu Jukurrpa’ (fire country Dreaming) lies to the west of Yuendumu, on the way to Nyirrpi. You can see the ‘warlu’ (fire) in the form of hundreds of red ‘mingkirri’ (termite mounds) that rise out of the ground in this area.
  
  Other Jukurrpa around Yuendumu include a ‘janganpa Jukurrpa’ (brush-tailed possum [Tricosurus vulpecula] Dreaming) associated with the hills to the north, and a ‘yankirri Jukurrpa’ (emu [Dromaius novaehollandiae ] Dreaming) associated with Ngarlikirlangu, a rock formation to the north. A ‘warlawurru Jukurrpa’ (wedge-tailed eagle [Aquila audax] Dreaming) is associated with the Wakurlpa outstation and hills. A very big ‘warna Jukurrpa’ (snake Dreaming) passes through Mijirlparnta (Mission Creek), west of Yuendumu. This Jukurrpa tells the story of a blind and crippled python, Yarripiri, who was carried by the ‘kurdungurlu’ (custodians) of the Jukurrpa from the south to the far north. This Jukurrpa is associated with the important Jardiwarnpa conflict resolution ceremony.
  
  All the sites around Yuendumu are owned and cared for by different skin subsections and are associated with different Jukurrpa. Some people are ‘kirda’ (owners) of the Jukurrpa, and others are ‘kurdungurlu’ (custodians).
  
  In Warlpiri paintings, traditional iconography can be used to represent the landscape around the area, the Jukurrpa, and other elements. Paintings of Jukurrpa around Yuendumu can include emu tracks, possum tracks, or eagle tracks. Wavy lines are frequently used to represent water or fire, and concentric circles can represent waterholes or camps.
  
  

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Cecilia Napurrurla Wilson - Nguru Yurntumu-wana (Country around Yuendumu)

$155.00

• Details
• Artwork

• Artist: Cecilia Napurrurla Wilson
  Artwork: Nguru Yurntumu-wana (Country around Yuendumu)
  Catalogue Number: 1632/19
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Nguru Yurntumu-wana (Country around Yuendumu)
  This painting depicts the natural landscape around Yuendumu. The bush around Yuendumu features plenty of ‘watiya’ (trees), ‘marna’ (grass), ‘kuyu’ (animals) to hunt, and ‘miyi’ (edible plants) to gather.
  
  There are a number of beautiful natural features close to Yuendumu, including rocky hills, creeks, soakages, and waterholes. There are also a number of small outstations around Yuendumu. These include Yuwali (Bean Tree), Wakurlpa, Purturlu (Mt. Theo), Jirla (Chilla Well), Yarripirlangu, Wayililinpa, and many more.
  
  There are many sites around Yuendumu that are associated with different ‘Jukurrpa’ (Dreamings). These sites include a major ‘yunkaranyi Jukurrpa’ (honey ant Dreaming), which travels from the west to the east. Yuendumu is sometimes also called ‘yurrampi’ (honey ant) for this reason.
  
  A very big ‘ngapa Jukurrpa’ (water Dreaming) travels past Yuendumu from the south far to the north. This Jukurrpa stops at Warlura, a waterhole 8 miles east of Yuendumu, and at Jukajuka, an important rock formation. ‘Warlukurlangu Jukurrpa’ (fire country Dreaming) lies to the west of Yuendumu, on the way to Nyirrpi. You can see the ‘warlu’ (fire) in the form of hundreds of red ‘mingkirri’ (termite mounds) that rise out of the ground in this area.
  
  Other Jukurrpa around Yuendumu include a ‘janganpa Jukurrpa’ (brush-tailed possum [Tricosurus vulpecula] Dreaming) associated with the hills to the north, and a ‘yankirri Jukurrpa’ (emu [Dromaius novaehollandiae ] Dreaming) associated with Ngarlikirlangu, a rock formation to the north. A ‘warlawurru Jukurrpa’ (wedge-tailed eagle [Aquila audax] Dreaming) is associated with the Wakurlpa outstation and hills. A very big ‘warna Jukurrpa’ (snake Dreaming) passes through Mijirlparnta (Mission Creek), west of Yuendumu. This Jukurrpa tells the story of a blind and crippled python, Yarripiri, who was carried by the ‘kurdungurlu’ (custodians) of the Jukurrpa from the south to the far north. This Jukurrpa is associated with the important Jardiwarnpa conflict resolution ceremony.
  
  All the sites around Yuendumu are owned and cared for by different skin subsections and are associated with different Jukurrpa. Some people are ‘kirda’ (owners) of the Jukurrpa, and others are ‘kurdungurlu’ (custodians).
  
  In Warlpiri paintings, traditional iconography can be used to represent the landscape around the area, the Jukurrpa, and other elements. Paintings of Jukurrpa around Yuendumu can include emu tracks, possum tracks, or eagle tracks. Wavy lines are frequently used to represent water or fire, and concentric circles can represent waterholes or camps.
  
  

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Cecily Napanangka Marshall - Pikilyi Jukurrpa (Vaughan Springs Dreaming)

$155.00

• Details
• Artwork

• Artist: Cecily Napanangka Marshall 
  Artwork: Pikilyi Jukurrpa (Vaughan Springs Dreaming)
  Catalogue Number: 964/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Pikilyi Jukurrpa (Vaughan Springs Dreaming)
  Pikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka/Napanangka and Japangardi/Napangardi skin groups.
  

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Cecily Napanangka Marshall - Pikilyi Jukurrpa (Vaughan Springs Dreaming)

$155.00

• Details
• Artwork

• Artist: Cecily Napanangka Marshall
  Artwork: Pikilyi Jukurrpa (Vaughan Springs Dreaming)
  Catalogue Number: 2421/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Pikilyi Jukurrpa (Vaughan Springs Dreaming)
  Pikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka/Napanangka and Japangardi/Napangardi skin groups.
  

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Charlene Napanangka Marshall - Wanakiji Jukurrpa (Bush Tomato Dreaming)

$155.00

• Details
• Artwork

• Artist: Charlene Napanangka Marshall
  Artwork: Wanakiji Jukurrpa (Bush Tomato Dreaming)
  Catalogue Number: 2297/19ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Wanakiji Jukurrpa (Bush Tomato Dreaming)
  The Wanakiji Jukurrpa (bush tomato [Solanum chippendalei] Dreaming) travels through Yaturlu (near Mount Theo, north of Yuendumu). “Wanakiji” grows in open spinifex country and is a small, prickly plant with purple flowers that bears green fleshy fruit with many small black seeds. After collecting the fruit the seeds are removed with a small wooden spoon called ‘kajalarra’. The fruit then can be eaten raw or threaded onto skewers called ‘turlturrpa’ and then cooked over a fire. ‘Wanakiji’ can also be skewered and left to dry. When they are prepared in this way it is called ‘turlturrpa’ and the fruit can be kept for a long time. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. The Wanakiji Jukurrpa belongs to Napanangka/Napangardi women and Japanangka/Japangardi men.
  

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Charlene Napanangka Marshall - Wanakiji Jukurrpa (Bush Tomato Dreaming)

$155.00

• Details
• Artwork

• Artist: Charlene Napanangka Marshall
  Artwork: Wanakiji Jukurrpa (Bush Tomato Dreaming)
  Catalogue Number: 2529/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Wanakiji Jukurrpa (Bush Tomato Dreaming)
  The Wanakiji Jukurrpa (bush tomato [Solanum chippendalei] Dreaming) travels through Yaturlu (near Mount Theo, north of Yuendumu). “Wanakiji” grows in open spinifex country and is a small, prickly plant with purple flowers that bears green fleshy fruit with many small black seeds. After collecting the fruit the seeds are removed with a small wooden spoon called ‘kajalarra’. The fruit then can be eaten raw or threaded onto skewers called ‘turlturrpa’ and then cooked over a fire. ‘Wanakiji’ can also be skewered and left to dry. When they are prepared in this way it is called ‘turlturrpa’ and the fruit can be kept for a long time. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. The Wanakiji Jukurrpa belongs to Napanangka/Napangardi women and Japanangka/Japangardi men.
  

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Christine Napanangka Michaels - Lappi Lappi Jukurrpa (Lappi Lappi Dreaming)

$210.00

• Details
• Artwork

• Artist: Christine Napanangka Michaels
  Artwork: Lappi Lappi Jukurrpa (Lappi Lappi Dreaming)
  Catalogue Number: 1749/20ny
  Size: 30cm x 30cm
  Acrylic on canvas - prestretched.
  Ready to hang
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Lappi Lappi Jukurrpa (Lappi Lappi Dreaming)
  The subject of this work is Lappi Lappi, a rock hole near Lake Hazlett, about 90 km northwest of Lake Mackay in Western Australia. The country belongs to Nampijinpa/Jampijinpa and Nangala/Jangala skin groups. Located in a sheltered basin, the rock hole at Lappi Lappi is a permanent source of water, and is surrounded by country rich in bush tucker. In the time of the Jukurrpa (Dreamtime) many mothers with young children would gather there because it was a safe place to stay. The rock hole at Lappi Lappi is home to a ‘warnayarra’, a rainbow serpent that travels underground between various rock holes. One day, women were gathered at the rock hole with their children, singing and dancing. When the ‘warnayarra’ heard the sound of voices, it travelled silently towards them, under the water. When it reached the edge of the rock hole, it rose out of the water and ate them all.
  

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Daisy Kemarre Turner - Bush Flowers

$910.00

• Details
• Artwork

• Artist: Daisy Kemarre Turner
  Artwork: Bush Flowers
  Catalogue Number: 4-20
  Size: 61cm x 61cm
  Acrylic on Linen - unstretched.  
  Painting will be shipped rolled, unstretched.
  Artworks include a Certificate of Authenticity from Artists of Ampilatwatja. 
  
• Bush Flowers
  The artists of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those
  stories sit.
  
  These bush flowers grow seasonally in Alyawarr country, some of which are also used in bush medicine remedies.
  
  "When I go out hunting, I like to see all the bush flowers that are flowering and then when I come back, I paint them."
  

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Daisy Kemarre Turner - Bush Medicine Plants

$910.00

• Details
• Artwork

• Artist: Daisy Kemarre Turner
  Artwork: Bush Medicine Plants
  Catalogue Number: 157-20
  Size: 61cm x 61cm
  Acrylic on Cotton - unstretched.  
  Painting will be shipped rolled, unstretched.
  Artworks include a Certificate of Authenticity from Artists of Ampilatwatja. 
  
• Bush Medicine Plants
  "Bush medicine plants are used for healing on the body and for drinking. We make this by smashing the plants with a rock, we use the juice and the fibre of the plant.
  
  We collect bush medicine plants when we are out hunting. Different kinds of plants grow during different seasons.
  
  There are lots of different medicines, we know what their stories are, we learnt them from our parents and we teach these stories to our children."
  
  Bush medicine knowledge is still strong in Ampilatwatja, it continues to be passed down to the younger generations and is widely used.
  
  When the women go hunting they often gather bush medicine. The plants depicted here are found in the country around Ampilatwatja, they are used for soothing skin infections and to make a drink to help with colds and coughs.
  
  Painting bush medicine stories is important because it helps to maintain a strong knowledge and culture for the community.
  

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Debbie Napaljarri Brown - Wanakiji Jukurrpa (Bush Tomato)

$1,045.00

• Details
• Artwork

• Artist: Debbie Napaljarri Brown
  Artwork: Wanakiji Jukurrpa (Bush Tomato)- Ngaru
  Catalogue Number: 802/18ny
  Size: 91cm x 76cm
  Acrylic on canvas - unstretched.
  Painting will be shipped rolled, unstretched.
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Wanakiji Jukurrpa (Bush Tomato)
  The Wanakiji Jukurrpa (bush tomato [Solanum chippendalei] Dreaming) travels through Yaturlu (near Mount Theo, north of Yuendumu). “Wanakiji” grows in open spinifex country and is a small, prickly plant with purple flowers that bears green fleshy fruit with many small black seeds. After collecting the fruit the seeds are removed with a small wooden spoon called ‘kajalarra’. The fruit then can be eaten raw or threaded onto skewers called ‘turlturrpa’ and then cooked over a fire. ‘Wanakiji’ can also be skewered and left to dry. When they are prepared in this way it is called ‘turlturrpa’ and the fruit can be kept for a long time. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. The Wanakiji Jukurrpa belongs to Napanangka/Napangardi women and Japanangka/Japangardi men.
  

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Debbie Napaljarri Brown - Wanakiji Jukurrpa (Bush Tomato)- Ngaru

$550.00

• Details
• Artwork

• Artist: Debbie Napaljarri Brown
  Artwork: Wanakiji Jukurrpa (Bush Tomato)- Ngaru
  Catalogue Number: 846/16ny
  Size: 122cm x 30cm
  Acrylic on canvas - unstretched.
  Painting will be shipped rolled, unstretched.
  Artworks include a stamped signed Certificate of Authenticity from Warlukurlangu Artists. 
  
  
• Wanakiji Jukurrpa (Bush Tomato)- Ngaru
  This painting shows two Napaljarri women collecting ‘wanakiji’ for tucker around Ngaru country to the west of Yuendumu that is also the site for Yawulyu, an important women's ceremony. Wanakiji (bush tomato [Solanum chippendalei]) are really good bush foods that can be eaten raw or cooked. In Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Circles of different colours are used to depict cooked and uncooked ‘wanakiji’, ‘U’ shapes often are used to represent the two Napaljarri sisters and concentric circles are used to portray their ‘ngurra’ (camp sites).
  

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Elaine Warnatjura Lane - History Stories

$3,080.00

• Details
• Artwork

• Artist: Elaine Warnatjura Lane
  Artwork: History Stories
  Catalogue Number: 12-076
  Size: 75cm x 150cm
  Acrylic on canvas - unstretched.  
  Painting will be shipped rolled, unstretched.
  Artworks include a Certificate of Authenticity from Papulankutja Artists. 
  
• History Stories
  We bin walkin round looking for kooka, we seen old Blackstone. We bin see em house with white man. He bin say, Where you from? and we said we from Warburton we bin walking from rock hole and bush. He had a tap with water, he gave sugar and bread. We stayed for a week and we say better go back too many white fella. They drilling then we went back to Lindan Bore. Elaine would have been a teenager, and had already spent time at school in Warburton. They came for their holidays back to her home land, and saw the first white men starting to mine Blackstone.
  
  Papulankutja was established after Ngaayatjarra people walked out of Warburton mission in the1970s and returned to their land. Papulankutja Artists was established in 2001 and incorporated in 2004 growing out of Blackstone’s women’s centre. After many years of working through the women’s centre and then the community hall, Papulankutja Artists opened their own Art Studio in 2009. Papulankutja Artists are very community focussed. Today, women and men, young people and old people, work together.
  

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Elaine Warnatjura Lane - Minyma Ninyanyi

$1,430.00

• Details
• Artwork

• Artist: Elaine Warnatjura Lane
  Artwork: Minyma Ninyanyi
  Catalogue Number: 16-179
  Size: 76cm x 56cm
  Acrylic on canvas - unstretched.  
  Painting will be shipped rolled, unstretched.
  Artworks include a Certificate of Authenticity from Papulankutja Artists. 
  
• Minyma Ninyanyi
  There are lots of ladies, ladies sittng down at camp. They look for bush food together.
  
  Papulankutja was established after Ngaayatjarra people walked out of Warburton mission in the1970s and returned to their land. Papulankutja Artists was established in 2001 and incorporated in 2004 growing out of Blackstone’s women’s centre. After many years of working through the women’s centre and then the community hall, Papulankutja Artists opened their own Art Studio in 2009. Papulankutja Artists are very community focussed. Today, women and men, young people and old people, work together.
  

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